In this article, we talk about Freytagโs pyramid, a five-step paradigm that can be used to formulate an amazing story. Want to know the secret behind the perfect story, whether itโs in written or visual-audio format. The secret is to implement Freytagโs pyramid scheme when you structure your writing.
From Shakespearean tragedies to Nolanโs thrillers, Freytagโs pyramidโs application and structure can be found in varied forms of write-ups. From the oldest of plays to the latest Hollywood thrillers, Freytagโs dramatic structure finds its implementation in stories of all times.
Freytagโs Pyramid: The 5 Steps to a Gripping Tale
What is Freytagโs Pyramid?
Freytagโs Pyramid dates back to the time of Aristotle, the famous Greek philosopher. In one of his books, Poetics, Aristotle suggests that a plot is the most significant part of every drama, and it consists of three parts. According to him, a whole story has a beginning, a middle, and an end. This is called the three-act structure of dramatic storytelling.
Later on, in 1863, Gustav Freytag studied Aristotle and Shakespearean drama to develop a five-act structure to explain Shakespearean playsโ structure, particularly his tragedies.
Here is the list of Shakespeareโs top sonnets and novels.
Freytagโs Technique is an expansion of the three-act model to the five-act dramatic structure. These elements constitute the Freytagโs Triangle, also known as the Freytagโs Pyramid.
Freytag theorized that effective and engaging stories could be divided into two parts โ the play and the counterplan, connected with a climax. These two parts create a pyramid shape containing five parts: introduction, rising movement, climax, falling movement, and catastrophe.
Freytag described his five-point modelโs purpose to depict the conflict between the protagonist and the antagonist. Therefore, the flow of the play is in two halves: the heroโs own deeds, and itโs repercussions and those of his antagonist, which Freytag termed โrising and sinking.โ
The vanquished heroโs rise and fall are of equal magnitude. Moreover, the greater the rise, the greater the fall. These two contrasting halves of the drama must be connected by a climax, to which the action rises to and from which the action falls away.
Freytag is indifferent about which of the contending parties justice favors; in both groups, good and evil, power and weakness, are mingled, just like in Iron Man vs. Captain America battle in the civil war.
Freytagโs pyramid consists of five parts, which some people refer to as a dramatic arc: exposition, rising action, climax, falling action, and catastrophe.
Following are their definitions and how they contribute to their story-
1. Exposition
In the exposition, the writerโs main focus is on creating the world in which the story happens. Like building the magical world of Harry Potter, describing Gringotts, The Diagon Alley, and Hogwarts. Your story needs to have a starting point, and in Freytagโs Pyramid, it starts with the exposition. In this part of the story, we are introduced to the major fictional elements โ the setting, characters, style, relations, world, etc.
The setting starts at a particular place and time, the mood is set, and the characters with their situations are introduced. A backstory may be alluded to, or it can be a snapshot of something linked to an incident in the following dramatic arcs. Exposition can be conveyed in flashbacks, dialogues, background details, or the narrator telling a back-story or describing characters. The whole text with the iconic star wars track that plays at the beginning of every movie is part of the exposition.
The length of your exposition depends on the storyโs complexity and the writerโs own personal preference. While Rowlingโs Harry Potter is wrought with backstory and exposition, often spanning chapters of pure worldbuilding, C. S. Lewis offers minimal exposition in the Chronicles of Narnia series, choosing instead to entangle conflict with worldbuilding.
Click here for the list of greatest stories ever written.
Still, whether your exposition is fifty pages like in Lord of the Rings or a sentence like in Star Wars, use this part of the story to draw readers in. Make your fictional world feel as real as possible. The storyโs exposition should end with the โinciting incidentโ โ the event that establishes the storyโs main theme.
2. Rising Action
The story picks up the pace, and exciting events begin immediately after the introduction, building the rising action in one or several stages toward the point of ultimate tragedy. Basically what we call -The Build Up, these events are generally the most important parts of the story. The entire plot depends on these events to set up the climax and ultimately lead to the storyโs satisfactory resolution. Therefore, this part should be comprehensible, interesting, and intriguing enough to hold the audienceโs attention.
The rising action explores the storyโs main conflict until its climax; why is the hero going to be in a tragedy? This part can include the protagonist making wrong decisions. Things โget worseโ in this part of the story: the antagonist hurts the protagonist, or the protagonist hurts someone who becomes antagonist, the introduction of some new characters and their equation with the protagonist can complicate the plot, etc.
Mostly, the rising action takes up the most number of pages. However, while a storyโs rising action explores the storyโs complexities, it should also dwell on much more than just the storyโs plot. In the rising action, the reader often gains access to key pieces of backstory or more details about the set-up, info on why things are the way things are.
As the story further unfolds during rising action, the reader learns more about the characters, personalities, and motives. During the rising action, you need to create the world of the story, and you may want to create an ideal setup that will lead to the climax.
3. Climax
The climax is the tragic turning point, which changes the storyโs tone. The plot would turn against the protagonist if things were going right, often revealing the protagonistโs hidden weaknesses or insecurities. For example, when Mandarin blows up Tonyโs house in Iron Man 3, this incident reveals Tonyโs anxiety issues and fears.
Though if itโs a comedy story, things can go from bad to good for the hero, for example, how Bruce got all godโs powers in Bruce Almighty. This often requires the main character to draw on hidden inner strengths. If thereโs one part where you really want to stick the landing, itโs the climax. Here, the tragedies peak, things go haywire, and we learn the main charactersโ fate.
Many writers write their storyโs climax, believing that it needs to be crisp, fast-paced, and action-packed. While some stories might require that, especially an action movie, thereโs no strict formula when it comes to writing a climax. The climax is like the โturningโ point of a story โ the part where the central conflict is addressed.
Itโs important to remember that your climax is the turning point or a tragic event for the hero in the story, but it should also change the theme and tone of the story. This is your chance to show the themes that drive your storyโs narrative, giving the reader an emotional takeaway.
4. Falling Action
In this sequence, the hostility of the villain thrashes the soul and hope of the hero. Freytag states two major rules for this stage: the number of characters should be as limited as possible, and the number of scenes through which the hero falls should be fewer than in the rising movement.
The falling action may contain a little suspense; there could be a prospect for relief for the doomed hero, where the outcome is in doubt, and there is still some hope. In falling action, the writer explores the consequences of the climax- what are its consequences? How does the climax affect the storyโs central theme? How do the characters react to the denting changes made by the climax?
The storyโs falling action is sometimes the toughest and the trickiest part to write. This is the best time for the writer to start tying up loose ends from the main conflict and push the story towards a resolution or basically a satisfactory ending while still keeping the focus on the climax and its aftermath.
Rising and falling action differ dramatically. While rising action is about building suspense, falling action is closing the loose ends so that the finale doesnโt look abrupt. At the same time, the story must still engage the reader and make your story compelling.
For example, in the Harry Potter series, the falling action always reveals new information or details about the wizarding world, whether Ravenclawโs diadem discovery or Snapeโs demise and flashback life with Lily in Deathly Hallows.
Here are some real stories behind Disney movies that you should read.
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5. Catastrophe
The catastrophe is where the hero meets his logical ending. Freytag wants the writer not to make it easy for the hero. He doesnโt want writers to spare the heroโs life, and if you donโt want to kill him, at least kill or make him lose something or someone dear to him, exactly how Shakespeare ended it for his characters like Romeo, Juliet, Hamlet, or Macbeth.
Click here to read about some of the famous Shakespearean tragedies.
This sequence comprises events from the end of the falling action to the drama or narrativeโs actual ending scene. Tragedies are resolved and conflicts solved, creating normality for the characters and release of tension and anxiety for the reader.
The comedy ends with a conclusion in which the protagonist is in a better situation than he was in the storyโs beginning. On the contrary, a tragedy ends with a disaster, in which the protagonistโs situation is worse than it was at the beginning of the narrative.
Now the question is- How do you end a story? One of the most exasperating parts of telling a story is figuring out where the story ends. A story can continue forever, but giving the audience a sense of closure is important to have a satisfying conclusive end.
The resolution of the story needs to connect the incidents of the climax and falling action. Sometimes, this means ending your story with a frightening conclusion (contrary to Shakespeareโs saying- โAllโs well that ends wellโ). This can involve either the protagonist dying, the antagonist escaping, or a fatal mistake committed by someone that leads to fatal consequences.
Other times, the story can end on a happier note. Maybe the hero learns from his mistakes (again, like Bruce Almighty), starts a new life, or defeats the main villain. You can also use the conclusion to continue your ideas on the storyโs themes and give the reader something to think about after the last word is read. Remember how Nolan ended Inception with the top still spinning?
The other term used when discussing the resolution is โdenouement.โ A denouement refers to the last event that ties up the storyโs loose ends, sometimes expressed in the storyโs epilogue or closing scene.
Uses of Freytagโs Pyramid
1.If you want a framework to help you write a tragedy, then Freytagโs pyramid can greatly help you. Through your story from the perspective of two separate halves with a central scene in the middle that acts as a reflection point.
2. A dramatic story arc like Freytagโs pyramid helps people sympathize with a character example, the tragic ending of Romeo and Juliet. The audience is asked to live in the characterโs story world and feel the complexity of their problem.
3. Story form, like the one Freytagโs pyramid helps to build, persuades audiences to believe in an idea, a cause.
4. When we have narrated a story, we want it to have some chronological order to make it more comprehensible(one of the reasons why fairytales start with a โonce upon a timeโ) with a systematic unfolding of events that together weave an impactful story. Freytagโs triangle can help us achieve that.
5. Though Freytag theorized this pyramid to explain only the classical and Shakespearean texts, Freytagโs pyramid can easily be applied to many more modern texts and used in your own writing.
6. Initially, writing coaches often suggest writers focus on the three-act structure when writing. Thatโs a solid foundation, but Freytagโs Pyramid is a little more specific and detailed. Therefore, it can be easier to apply and write your own stories, especially for beginners.
7. A good description starts in the writerโs imagination and ends in the readers. To help the writer write a story descriptively and arouse all emotions in the audienceโs mind, following Freytagโs pyramid can be useful.
8. It can also help you pen down strong and compelling poetry, non-fiction, screenplay, or even marketing stories. Your story flows well when you know how to communicate it to the audience and maintain a flow when introducing characters, conflicts, turning points, falling instances, and, most importantly, the story ending.
9. This model can help writers organize their thoughts when describing the dramaโs main conflict, theme, and sequences.
Itโs not mandatory to follow a dramatic arc while writing a story, and the following one does not guarantee an engaging story. Still, if you are a beginner and need a framework you can use to build your story, you can try and implement using Freytagโs pyramid, and possibly youโll have written your next creative work from start to finish!
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Last Updated on by Arsh Das